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Reviews

Seán Curran Company: A Well-Delivered Package of Post-Modernism

Representing nine religions the group performed Tai-Chi in an homage to integration.
April 12, 2016
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An Astronauts’ Rapacious Night

Should one talk in couplets or algorithms about Claudio Monteverdi’s opera, L’Orfeo, choreographed and directed by Trisha Brown?
April 11, 2016
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Shared Topographies, Individual Paths

At the American Dance Institute in DC, Jane Comfort’s new, untitled work-in-progress makes for glorious people-watching.
March 31, 2016
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Off the Wall Processions: Improvisation at PAFA

Graffito Works’s dancers manifested Lewis’s merged abstraction and figuration, an elusive combination.
March 17, 2016
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Whole: Without Any Parts Missing

Coaction Dance Collective presented work layering spoken word, storytelling, and problem solving.
March 15, 2016
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Taking Flight with Limón

Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.
March 14, 2016
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Elisa Monte Dance: To Another Thirty-Five Years!

The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.
March 11, 2016
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Archiving Occupation, Identity and Resistance

Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.
March 10, 2016
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