Photo: Nicholas Burnham
Photo: Nicholas Burnham

Inside an Old Queen’s Head

Kilian Kröll

Mid-century show tunes, bouncy tap numbers, and a pro-wedding theme tied together The Bang Group’s Misters And Sisters, the opening production of GayFest! at the Plays & Player’s Skinner Studio. Lead performers David Parker and Jeffrey Kazin sang, danced (in tap and pointe shoes) and told jokes with confidence and grace. Demonstrating these well-rounded artistic talents was no small feat in the up-close-and-personal theater that seats about 40 people. The socially lubricated crowd of middle-aged men and assorted friends received the medley of “autobiographical” songs with jovial applause.

I thought I had landed at a piano lounge in Philadelphia’s historic gayborhood, puzzled, as always, by the undying devotion to musical theater in mainstream American gay culture. We heard a string of tunes from “Tea For Two” to “Baby It’s Cold Outside,” with a lightly sketched narrative of the lead artists’ 22-year working relationship. (Well, they clarified that they’ve had every kind of relationship with each other, except one they also dramatized: Irving Berlin’s “Sisters.”) Two further dancers, Nic Petry and Amber Sloan, and pianist Anna Ebbesen, rounded out the showcase, which absurdly climaxed with Judy Garland singing “Somewhere Over the Rainbow” over the speakers.

This song and much of what we heard meant something to a lot of people in the room: people who have fought tirelessly to have their relationships recognized and celebrated by society, and who’ve paved the way for many of the shifting cultural norms we younger generations tend to take for granted. No wonder then that marriage was the recurring theme of the evening, ending with “Old Fashioned Wedding,” another wittily performed Berlin duet.

While watching, I prayed that marriage equality will pass soon – not so much for my own benefit, but for a generation of women and men who have fantasized for decades, perhaps centuries, of being able to tap and twirl down that aisle, in dress or tux – who cares! – testifying their love fulfilled. And I say soon, because this generation has worked really hard – using “musical drama as political activism” – and is starting to lose a little steam.

The Bang Group, Misters And Sisters, Plays & Players Theatre (Skinner Studio), August 3-4, 2012. No further performances.

The 2nd annual gay/lesbian theater festival, GayFest!, presented by quince productions, continues thru September 1, 2012. For tickets & info: http://www.quinceproductions.com

Share this article

Kilian Kröll

Kilian Kröll, Certified Executive Coach, dancer, published writer and President of Third Culture Coach, earned a B.A. in English from Haverford College and an M.A. in Cultural Studies from the University of East London. He previously was named Caldera Dance Artist in Residence in Sisters, Oregon and has performed in Carmen with the Opera Company of Philadelphia. He is a former staff writer with thINKingDANCE. Learn more.

PARTNER CONTENT

Keep Reading

Science and Dance in Creative Conversation

Jen George

Science in partnership with dance yields collaboration and contrasting forces.

Two dancers wear black costumes, and the lighting is low and shadowy. One dancer lays face-up on the stage with arms softly outstretched to the sides and their chest lifted off the floor, legs bending at the knees. The other dancer sits, gazing downwards at them. Dancers: Sayer Mansfield, Marla Phelan
Photo: Tim Richardson

The West Did Not Make Me

ankita

An Interview with nora chipaumire

nora chipaumire, a Black African woman takes the stage in 100% POP with her collaborator, Shamar Watt, a Black Jamaican man in a black Adidas tracksuit and red-green-yellow, Zimbabwe-flag-colored Nike shoes. As he runs through the frame upstage, backgrounded by a grungy, urban wall, chipaumire captures the camera’s focus as she jumps into the air, one knee tucked up to her chest, the other a foot off the ground. Wearing a ripped white shirt, black track pants, and all-white high tops, chipaumire gazes down at the ground while she leaps up, as if stomping her way back to Earth.
Photo: Ian Douglas