Photo: Bill Hebert
Photo: Bill Hebert

A Photographer Presents!

Kariamu Welsh

Bill Hebert, a well-known Philadelphia dance photographer, presented his fourth showcase at the Community Education Center. During the evening, Hebert made his debut as a dance videographer with a short video-dance piece featuring Jaynie Anguiano.

The showcase included a diverse grouping of choreography and dancers. The CEC’s stage is small, so companies with larger ensembles were challenged by its size and most of the dancers were challenged by its lack of wings. Given that, the solos were the standouts.

Dangerous and Moving’s Scott Park choreographed and performed an impressive solo, Speechless, set to a soundtrack of a raspy male voice encouraging his team to persevere in the face of an adversary. Alexis Convento, a dance artist from New York, was funny, agile and beautifully present in and then I –, an improvisational work set to the Rolling Stones classic song “I Can’t Get No Satisfaction.”

In You Should Be Dancin, an excerpt from a larger work, Fernando Quinones pranced, strutted and did splits, conjuring up vamping and vogueing. His facial expressions drew the audience in; with a wink and a nod, he swept off to the delight of the sold-out crowd. 

Kiara Lopez performed one of the shortest dances that I have ever seen. One Day Your Life Will Flash Before Your Eyes, Make Sure
It is Worth Watching 
 was short, sweet and quite effective. This was a dance that I would have liked to see more of.

Other soloists were Rachel Neitzke  and Lauren Williams.

Underground Dance Works presented Fiction by artistic director Charles Tyson, distinguished by its creative use of the space. In Invader of Mine by Megan Mizanty, two dancers, one in a white mask, danced intricate gestures and intense sweeping arcs.

Monarch, a company led by Tabitha Robinson-Scott from the Lehigh Valley performed Prey, an excerpt of a larger work. The twelve dancers are to be commended for working on the small stage, but they really needed a larger playing area for the work to be fully appreciated. The same challenge was faced by MM2 as the group tried to navigate the small stage with large movements and several dancers.

The BillHPhotos Choreography Showcase drew on significant talent in our community, offering flashes of how dance can be magical.  It was clear to this viewer that the dancers, choreographers and audience supported each other and understood the need for and value of showcasing excerpts and works-in-progress.

BillHPhotos Choreography Showcase IV, Sept. 23, Community Education Center.

Share this article

Kariamu Welsh

Kariamu Welsh (1949-2021) was a Professor of Dance at Temple University in Philadelphia, Pennsylvania. Kariamu was the artistic director of Kariamu & Co.: Traditions and she was the founding artistic director of the National Dance Company of Zimbabwe. Learn more.

PARTNER CONTENT

Keep Reading

There is Something Happening in the Basement of Judson Church

Rachel DeForrest Repinz

The relentless drive of Pink Fang’s “The Table.”

maura nguyễn donohue lunges forward onto one foot with her arms slicing outwards from her back. She wears a mustard yellow button-down shirt, navy blue coat, grey pants, and vibrant blue sneakers. She is framed by the grey-shirted backs of Shannon Yu and Rami Margron, and the darkness behind her.
Photo: Marcus Middleton

Transcendental Resistance: A Write Back Atcha

Emily “Lady Em” Culbreath

A collective reflection on Vince Johnson’s Original Scrap & First Floor Spectrum.

A spacious dance studio with a gray floor, mirrored walls, and colorful geometric murals is shown during a rehearsal for First Floor Spectrum. In the foreground, two people interact through expressive movement: one stands with an arm extended overhead while the other kneels and reaches upward toward the raised hand. Additional people are visible in the background practicing choreography, while another person stands near the right side of the room, directing. The studio contains chairs, exercise equipment, and a cluster of colorful balloons near the back wall. Natural light enters from windows along the left side of the space.
Photo: Bridgette Ivkovich