thINKingDANCE

Donate

Editor’s Note: Indiegogogo!

Lisa Kraus

Who knew that May was the season for fundraising? Just as June is all about weddings, May seems to be when the Philadelphia dance community asks you to come dance in a Marathon (at the Performance Garage) or at a hot Latin fest (Cinco de Miro) or to enjoy a Cabaret (Nichole Canuso). Other folks are raising money through crowd-sourcing for wonderful upcoming productions. We hope everyone meets their fundraising goals!

If thINKingDANCE is also asking for your contributions what sets us apart? It’s this – we are serving all of those organizations and companies and more.

What will our campaign fund? Pay for writers, editors, workshop leaders and workers on its Education scheme and Editorial Board along with some needed web upgrades.  In the simplest terms: we need to pay our people. Get the details and donate to our Indiegogo campaign here. Thank you!

Lisa

Share this article

leeway_seated_crop

Lisa Kraus

Lisa Kraus’s career has included performing with the Trisha Brown Dance Company, choreographing and performing for her own company and as an independent, teaching at universities and arts centers, presenting the work of other artists as Coordinator of the Bryn Mawr College Performing Arts Series, and writing reviews, features and essays on dance for internet and print publication. She co-founded thINKingDANCE and was its director and editor-in-chief from 2011-2014.

PARTNER CONTENT

Keep Reading

  • Reviews

The Krakatuk is the Hardest Nut in the World!

E. Wallis Cain Carbonell

“It’s the last place that magic exists.”

A bald white man wearing white tights and tutu stands center stage in a fifth position soussous with arms stretched sideways, in silhouette on a black marley floor, surrounded by a black backdrop.
  • thINKpieces

The Assurance of the Ecstatic: On Anh Vo’s Three Performances

Mang Su

Being possessed is not a state but a devotion.

A performance of Anh Vo: Possessed by… at The Rail Park. The work takes the form of a devotional dance to the spirits, continuing a performance Vo previously staged on June 14, 2025, in front of the Apple Store in Downtown Brooklyn. There, the artist worshipped the temple of capitalism, drawing out the religiosity embedded in the store's architecture. In this iteration, Vo applies a similar logic: animating the site through repetitive, abstract movement to explore how architecture can embody systems of belief.
Photo: Albert Yee, Courtesy of Asian Arts Initiative