Video – So You Think You Can’t Understand Contemporary Dance

Lisa Kraus

thINKingDANCE has long-planned to integrate media into the site. Taking part in The Pew Center for Arts & Heritage’s ‘No Idea is Too Ridiculous’ program has provided us with a goad and some resources to take this initial foray.

We hope this video by Gabrielle Revlock in collaboration with TD will appeal to people who feel they don’t know so much about dance, but who could find watching dance  really enjoyable given a few more cues.

If you’d like to share it, to help it reach those folks (your mother? your neighbor?) you can go to our Facebook page and share it on your wall. Or tweet about it. That way you’ll really help spread the word about dance! Thanks.

Share this article

leeway_seated_crop

Lisa Kraus

Lisa Kraus’s career has included performing with the Trisha Brown Dance Company, choreographing and performing for her own company and as an independent, teaching at universities and arts centers, presenting the work of other artists as Coordinator of the Bryn Mawr College Performing Arts Series, and writing reviews, features and essays on dance for internet and print publication. She co-founded thINKingDANCE and was its director and editor-in-chief from 2011-2014.

PARTNER CONTENT

Keep Reading

  • Book Reviews

On Language Learning

Emilee Lord

A reading of Ways to Move: Black Insurgent Grammars by Jonathan González

Green-toned book cover featuring the silhouette of a forest and leaping figure with the title “Ways to Move: Black Insurgent Grammars by Jonathan González” on the right, and poetic text on the left reading: “i want to be with you in the ways with you of vertigo seas,” “i want to be with you in the ways with you of smashing monuments,” and “i want to be with you in the ways with you of these lonely trees.”
Photo: Courtesy of Jonathan González and Ugly Duckling Presse
  • Book Reviews

Zooming Out and Weighing In

Jennifer Passios

Thirty-three writers shape Contact Improvisation’s next chapter.

A flat image of the front cover of "Resistance and Support: CI @ 50" appears centered on a dark maroon background. From top to bottom, the cover descends through sunset – muted burnt orange, carrot, creamsicle, golden rod, pale yellow, into a black and white photo of two dancers partnering in the ocean. One dancer is on his ass in the water. The other stands, both knees bent, reaching out for her comrade in the waves. They hold hands at the wrists, arms fully extended. The title “Resistance and Support,” each word on its own line, spans the top third of the cover page in a burgundy, serif font. Below, the subtitle “CI @ 50” slants in smaller white italics. The text “EDITED BY: Ann Cooper Albright,” back to the burgundy with no italics, sits about one thumbs width above the dancers in the ocean.
Photo: Courtesy of Ann Cooper Albright, includes photo by Lasse Lychnell