September 6, 2025

Three dancers in stand in a narrow diagonal against a stark white background. They all look off in different directions. On the left Annie Peterson wears a red bandana and a red pinnie gazes on a slight downward angle. In the center a Vitche-Boul Ra dons a colorfully patterned shirt, sets his sights up and to his right. On the right Zeze Schorsch in a red tie dye tee with a black vest overlain looks straight up, chin forward toward the camera.
Photo: Melissa Simpson

Consenting to Play

Nadia Ureña

Sometimes the performance is in fact play.

white person wears an astronaut helmet with the face shield down, though it doesn’t quite cover their chin. They stand with one foot in front of the other and hold up an arm, softly opening their palm to face forward as if waving or saying “hold up”. Turquoise light makes shapes on their open palm and their neck. They’re dressed in textures of blue, glimmering pants and a blue bomber with cinched ruffled seams along the arms. Two stage blocks rest behind them, one with a pair of plush white boots set atop.
Photo: William Frederking

Calling All Querthlings

Xander Cobb

An extraterrestrial Gospel to absolve you of queer shame and anxiety – no promises.

Two bodies pressed almost into each other, fingertips grazing another’s hand. In front, a dancer in a modest white shirt and long skirt glances behind her through tousled hair. A second dancer dressed in black sackcloth hovers behind her, as if readying to whisper something in her ear.
Photo: Anna Siegel

Circling with the Dybbuk

Madeline Shuron

Beloved Yiddish play is translated through dance. Madeline Shuron reviews Nell Adkins & Helen Sher’s Within the Fall.