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- Reviews
The audience’s first responses: “Celebration. Bearing witness. Transparency. Shadows. Remembering. Nooses dropping. Acceptance. Pain. Repetition. Awesome.”
- Reviews
I chance upon pieces dancing around the Bride: Cage’s neat scores, Duchamp’s nudes descending shattered large glasses, Cunningham’s reeling dances.
- Reviews
In one night I witnessed the work of six aesthetically different artists and groups, some of whom had almost nothing to do with the others.
- Reviews
Representing difference, they give us new information about Africa and its many traditions.
- Reviews
Grace, attitude and ferocity in technique was balanced by big presence and a real joy in performing that I’d almost forgotten was possible.
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The magical village of domes, projections and branch dancing of Merián Soto's "SoMoS."
- Interviews
A discussion with Soto on her influences and interests, on teaching improvisation and the possibilities of the body.
- Interviews
Two TD Writers at the ballet talk Petipa, Grisi, the romantic macabre and overcoming dance sibling rivalry.
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For six full hours the group prepared for an interactive performance. They took their shoes off, practiced trust falling and yes, believe it, they even attempted levitation.