All Articles

Photo: Emma Kohn

Pulsing and Embracing Contact Improvisation in Cuba

With a sense of familiarity and surprise, I feel I’m in Cuba for the first time.

Image: Jenn Freeman

In Celebration of the E-newsletter

Ellen Chenoweth

I'm grateful for attempts to connect that feel substantial and authentic.

Photo: Mascher Space Cooperative

Coalescing in Context: Movement Sound Experiment at Mascher

Kat J. Sullivan

The patterns and places of synchronicity gave the evening a sense of unity.

Photo: Ian Douglas

Shaking and Shouting at St. Mark’s

Eleanor Goudie-Averill

Reggie Wilson's work creates a sense of communal solidarity and strength for a complicated future.

Photo: Johanna Austin

No Tights, No Bite

Miryam Coppersmith

Instead of desperately in love, Romeo reads as an entitled paradigm of toxic masculinity.

Photo: Peter Price

Rendering the Now: Process Project with fidget

Kat J. Sullivan

This duality between divulging and concealing feels fascinating rather than alienating.

Photo: Julieanne Harris

PHILADANCO Moves

Miryam Coppersmith

Through the night of differing choreographic tastes, it is PHILADANCO’s dancers that shine.

Photo: Effy Falck

Abby Z and the New Utility Electrifies

Maddie Hopfield

The space is awash in exhalations often culturally linked to sex or violence. The animal body. The body as energy.

Photo: Milan Misko

I don’t need to see Jessica Lang Dance

Kat J. Sullivan

I found the work to be pre-digested to the point of blandness.

Photo: Group Motion

Ritual Structures: The Work of Group Motion

Eleanor Goudie-Averill

A new book review on "Group Motion in Practice: Collective Creation through Dance Movement Improvisation."