All Articles
- Reviews
Falling back into destructive coping mechanisms
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In the early nineteenth century, melodrama threatened to push Shakespeare off U.S. stages.
- Interviews
My audience is the whole wide world, because everybody understands action.
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She unfurls her fingers, claps her hands, plants rhythms into the floor, and begins to sing.
- Reviews
How do we reconcile our inevitable evolution and change with the thorny sociality that made (and still makes) possible our su
- Reviews
A performance focused on the “human experience in relation to architecture” which questioned “concepts of stability”
- Reviews
We see the dynamics of power shaped by historic narrative, social conventions, and our own unselfconscious playfulness.
- Reviews
Each time he hit fifth position, Ihde looked like he was home.
- Reviews
Gibson takes the question "What is ballet in the 21st century" back to form.
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In Bindler’s world, the aqueous is not tethered to the aesthetic qualities of smooth, slow, continuous, or sequential.