Lovertits wasn’t about the bodies at all. But it was the bodies.
Sam Tower speaks in long, seamless sentences about developing a fantasy world for performance.
Culturebot's Andy Horwitz on Alva Noë as collaborator/performer with Jess Curtis.
The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.
Gustavo and Giselle Anne Naveira's participation in the 5th Philadelphia International Tango Festival, from teaching to dancing.
Come with an open mind to watch Mash Up Body. The intimacy is important.
Cabuag relishes in the fact that his heritage, his beliefs, his insecurities, his struggles, and his triumphs are all expressed through movement.
A woman shouts “Come dance Dabke for justice!” to protest the Kibbutz Contemporary Dance Company's Philadelphia appearance.
Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.
Why Angel Corella hopes "that everyone can make it to Philadelphia," and more thoughts from the new Artistic Director of PA Ballet.