Interviews

Photo: Joshua
  • Interviews

Tearing the Snail Shells (Based on the True Story of Emmanuel Cudjoe)

Anito Gavino

Is it possible to decolonize dance writing without resorting to master’s tools?

Photo: Yurany Pabón
  • Interviews

Somatic Techniques, Self- Reflection, and Transformation as Tools for Embodying Reconciliation – Cuerpos para la Reconciliación

Lauren Putty White

Decolonizing starts with self.

Photo: Jinki Cambronero
  • Interviews

What Are Your Waters? (A kōrero with Jack Gray)

nikolai mckenzie ben rema

Gray has created a world of practices which call into the room a thousand years of knowledge and resistance in the face of co

Photo: Tim Black
  • Interviews

Dancing the Self In-Between*: A Dialogue with Umeshi Rajeendra

Rhonda Moore

The controlling forces of coloniality blankets a laissez-faire on whom and what is deemed familiar, normal, and rectified.

Photo: Ian Douglas
  • Interviews

Ethics in Art and Money

Emilee Lord

Miguel Gutierrez’s new podcast tackles the complicated nature of philanthropy and the arts.

Photo: CONTRAPUNTO Huelles vivas del zapateo afroperuano
  • Interviews, Reviews

“An Act of Care”: A Conversation with Juan Felipe Miranda Medina

Leila Mire

A conversation with Juan Felipe Miranda Medina dissects decolonization and decoloniality in dance.

Photo: Courtesy of COME TO PAPA
  • Interviews, Reviews

You’re a Guest Here Too

nikolai mckenzie ben rema

An interview with Cinder Kuss reveals a cauldron of boiling emotions.

Nicole Bindler
  • Interviews, thINKpieces

Intentional Reemergence: dreaming the aftertime

Nicole Bindler

I realize that being in a community takes practice, and I am out of practice.

Photo: Bill Hebert
  • Interviews

Improvisation in the Virtual Frame

Emilee Lord

From her hometown of Sofia, Bulgaria, Stoyanova led an international group of dancers through her improvisational practice.

Photo: Maria Baranova
  • Interviews

Sex and Ghosts in an Empty Theater

Emma Cohen

A conversation with Anh Vo about their new work, BABYLIFT.