The weightedness of bodies in 'Hoist,' either in motion or at rest, was the strongest metaphorical connection to an industrial past of physical labor and heavy machinery.
Popil’s study is an eloquent portrayal of someone who has lost a loved one and Goudie-Averill makes a poignant commentary on the plastic objects that serve as replicas of our body parts.
It takes a huge consciousness to live in the structure of a performance as opposed to clinging to it.
They’re not bodies with a message written across them; they are people sharing a space and an experience and letting us in.
With this highly stylized, precisely choreographed production, Toshiki Okada paints a picture of cubicle life as a near-death experience.
The Gate hovered at the crossroads of Cirque de Soleil and the Chippendales, with acrobatic dancing in progressive states of undress.
Lea Bostick, vetted for "This Town is a Mystery," was asked by Andrew Simonet if her family members were shy. She said, “Shy was the only gene they didn’t have.”
The synchronous movement in Colony causes me to view Kelly Bond and Melissa Krodman as a ferocious duo, in tune to each other's every subtlety.
Can young artists be held responsible for integrating a history that happened on a different continent decades before?