Reviews
- Reviews
Time—as concept, construct, and reality—was engulfed in layers of questions and musings, artifacts and objects, sound and movement.
- Reviews
“Sometimes art really imitates life,” said Ronen “Roni” Koresh, as he introduced his evening-length work, Trust, at its premiere Thursday, November 29.
- Reviews
This first-ever collaboration between Kùlú Mèlé and The Requisite Movers proved a rich cultural experience, from beginning libations to a final invitation onstage.
- Reviews
Three choreographers show their work from the Susan Hess Modern Dance Choreographers Project.
- Reviews
How often does one have the opportunity to attend a lecture by a pioneer of post-modern dance?
- Reviews
Perhaps the program’s title, "An Offering," suggests that this is just a small quantity of what Phil Grosser has in store.
- Reviews
I felt my focus SHARPen as I was pulled into each piece.
- Reviews
Three distinct versions of the same Deborah Hay solo were performed by three Philadelphia artists.
- Reviews
The audience’s first responses: “Celebration. Bearing witness. Transparency. Shadows. Remembering. Nooses dropping. Acceptance. Pain. Repetition. Awesome.”
- Reviews
I chance upon pieces dancing around the Bride: Cage’s neat scores, Duchamp’s nudes descending shattered large glasses, Cunningham’s reeling dances.