How performers use their faces colors audience engagement with their art.
How can kabuki, taiko, and butoh be promoted as evolving contemporary practices with the capacity to provoke our most current and existential questions?
What makes You Sick Little Baby refreshing as a lager on a warm evening is the curiosity that sits where ambition normally exists.
Anne-Marie Mulgrew’s latest work continues her 25-year Philadelphia dance legacy of whimsical landscapes and stages inhabited with charm and panache.
Patnaik connected to the earth, rippled as watery waves, shimmered like fire, sailed on the wind, and seemed to hover in the sky.
Hungarian troupe Bloom’s pantomime and text-driven CITY suggests that the nude as symbol might deserve a bit of spoofing.
Sometimes titles raise expectations that are not always realized in the actual performance.
Equally adept at storytelling and beautiful movement, Priyadarsini Govind captivated with an evening of Bharata Natyam choreography.
Two decades and 40 dances into their career, the darlings of Philly’s theatrical dance world in the 1990s and 2000s have arrived at a point of mid-life reflection.
"situation: becoming" is a work that requires serious contemplation. Its sounds, movements and textures orient the viewer, but in a disconcerting way.