questions of connection, reflection, punishment in a purgatory like space.
Finding hope in the aftermath of a massacre.
The nuanced percussion raised the stakes from previous versions of Carmen, yet execution fell short.
Their stories are moving. Literally.
Blackness complicates; it can never be separated from the person or their work.
The entire cast jockeys between individual and collective truths.
PROTOTYPE helps us remember the pleasure in slowness, the vulnerability in trust, and the fearlessness in experimentation.
If soundwaves were visible, it would have looked like a tornado in there.
In "flooding is what they call it," a loud call compels us to reflect.
Their dance alters between roughhousing and romance.