Reviews

Barbora Příhodová

The audience at Clark Park went all the way with the old King, to the tragic end.

Mira Treatman

The cast returns for bows. Ayewa is beaming. They went to war, they have their drums.

Maddie Hopfield

When Cat announces that time is up and the piece is over, we scoot our chairs in further, hungry to keep the conversation goi

Kalila Kingsford Smith

Featuring works both improvised and composed, the performance asks me to bring my attention to time and to space.

Carolyn Merritt

Like a sculptor aiming for a semblance of life, the author adjusts her sights beyond the facts, on Marie Van Goethem’s soul.

Mira Treatman

It makes sense somehow, as postmodern gumbo usually does.

Jennifer Fisher's new book, a memoir-as-ethnographic study

Miryam Coppersmith

Sincerity is a slippery thing to script.

Koulman’s fine group of artists splashed balletic bravura across the footlights.

Jenna Horton

Grounds that Shout! continues Reggie Wilson’s research into sacred spaces, ecstatic movement, and African diasporic experienc