Reviews

Photo: Gema Galiana

Milka Djordjevich’s Anthemic Opus

Mira Treatman

It makes sense somehow, as postmodern gumbo usually does.

Photo: Lynn Brooks

Ballet: What is the Matter?

Jennifer Fisher's new book, a memoir-as-ethnographic study

Photo: Johanna Austin

Honestly Sincere

Miryam Coppersmith

Sincerity is a slippery thing to script.

Photo: Lauren Hirsch

Ballet Up Close and Personal with Bryan Koulman

Koulman’s fine group of artists splashed balletic bravura across the footlights.

Photo: Daniel Kontz

Side by Side: Philadelphia Churches (and bodies in them)

Jenna Horton

Grounds that Shout! continues Reggie Wilson’s research into sacred spaces, ecstatic movement, and African diasporic experienc

Photo: Plate 3 Photography

Listen To Your Guts

Maddie Hopfield

I watch their pelvises shift and gyrate, thinking of the intestines beneath.

Photo: Johanna Austin

Tilting Space in an Abandoned Warehouse: Tori Lawrence + Co.

Kat J. Sullivan

JUNKSPACE moves deftly with deference to and camaraderie with the building's space.

Photo: Dan Kontz

Almanac Dances Toward a Classical Ideal of Equality

Mira Treatman

Kerbel and Grinberg are clearly meant to be dance partners.

Photo: Natasha Cohen-Carroll

My Hips (and my Postcolonialism) Don’t Lie

Mira Treatman

It’s not a yoga blanket, it’s a serape!

Photo: Sophie Bufton

Curating as Caring– Curating for Live Arts Contribution

Barbora Příhodová

Authors envision curating as based on the ethics of care, and a call for 'democratizing curation'