Reviews

Photo: Terry Brennan
  • Reviews

Nothing is Certain, Except Death and Hoagies

Mira Treatman

“Let's turn this suck into a success.”

Photo: Annie Wilson
  • Reviews

Keening Humans and Instructions from Creatures

Janna Meiring

Ruminating on the depth and color of human and creatures' experience.

Photo: Johanna Austin
  • Reviews

Looking Back in Pain and Hope

“Come Back, Little Sheba” is realistic, sad, funny, and beautifully situated in the Bethany Mission Gallery.

Photo: Johanna Austin
  • Reviews

Peeking into the Personal

Sneakers grapples with loss on several levels, interweaving personal grief and the objectification of art.

Photo: Steve Rogers
  • Reviews

Draw Me In

Miryam Coppersmith

This play between 2D and 3D creates delight throughout the show.

Photo: David Cimetta
  • Reviews

Trump is Speared and Smeared as Ubu Roi

Jonathan Stein

A wildly physical Theater of the Absurd that revels in the scatological and the hyperbolic.

Photo: Maurice Jones
  • Reviews

Traversing The Edge

Amelia Rose Estrada

Dance, spoken word, acrobatics, and sound reveal the pain, melancholy, and humor of witnessing and experiencing illness.

Photo: Katie Vason
  • Reviews

The People Have Spoken: A Day of Compositional Improvisation in NYC

Kat J. Sullivan

Assumptions can be so juicy.

Photo: Kyle Cassidy
  • Reviews

The Community’s King Lear

Barbora Příhodová

The audience at Clark Park went all the way with the old King, to the tragic end.

Photo: Johanna Austin
  • Reviews

An Electrifying Choreopoem from Moor Mother

Mira Treatman

The cast returns for bows. Ayewa is beaming. They went to war, they have their drums.