Reviews

Photo: Daniel Kontz
  • Reviews

Side by Side: Philadelphia Churches (and bodies in them)

Jenna Horton

Grounds that Shout! continues Reggie Wilson’s research into sacred spaces, ecstatic movement, and African diasporic experienc

Photo: Plate 3 Photography
  • Reviews

Listen To Your Guts

Maddie Hopfield

I watch their pelvises shift and gyrate, thinking of the intestines beneath.

Photo: Johanna Austin
  • Reviews

Tilting Space in an Abandoned Warehouse: Tori Lawrence + Co.

Kat J. Sullivan

JUNKSPACE moves deftly with deference to and camaraderie with the building's space.

Photo: Dan Kontz
  • Reviews

Almanac Dances Toward a Classical Ideal of Equality

Mira Treatman

Kerbel and Grinberg are clearly meant to be dance partners.

Photo: Natasha Cohen-Carroll
  • Reviews

My Hips (and my Postcolonialism) Don’t Lie

Mira Treatman

It’s not a yoga blanket, it’s a serape!

Photo: Sophie Bufton
  • Reviews

Curating as Caring– Curating for Live Arts Contribution

Barbora Příhodová

Authors envision curating as based on the ethics of care, and a call for 'democratizing curation'

Photo: Keira Heu-Jwyn Chang
  • Reviews

It Takes Two

Carolyn Merritt

Sin Salida posits dance as a metaphorical map for human relations

Photo: Alexander Iziliaev
  • Reviews

Of Stravinsky and Men

Mira Treatman

They bowed together as choreographer and muse but undoubtedly without the violence.

Photo: Anthony Werhun
  • Reviews

Catch This

Amelia Rose Estrada

Director Nataki Garrett’s vision strikingly translates this well-written script into an engaging work of art.

Photo: Stephanie DeFeo
  • Reviews

A Family Circus

Carolyn Merritt

The dancers give their all, and they clearly enjoy themselves.