"Come Together" left me wondering about the amorphous amalgam that is contemporary dance in the United States.
Three solo works move through contemporary notions of gender, pain, and the body.
Six tD writers report on the elements of the moving museum that moved them.
A small army of rambunctious revelers attacked the square from four approaches.
A virtuoso dancer, fine actor and deeply versed historian, Hazebroucq's baroque dancing thrilled.
Leighton has provocatively shaped a room that forces me into conflict.
Whitney Weinstein talks with Megan Mizanty about the "disposable woman".