Reviews

Photo: Frank Bicking
  • Reviews

Real Live People from Near and Far

Zornitsa Stoyanova

Issues of identity, race and communication with each other resonated, leaving me with a new hope for dance and its connection

  • Reviews

Life Lines: Ally at the Fabric Workshop and Museum

Carolyn Merritt

There is the biography... And there is the universal—the multitudes of a single life, the luck of longevity.

Plate 3 Photography
  • Reviews

The Pleasing, Profound, and Peculiarity of 4pm

Kat J. Sullivan

A Brewerytown afternoon unfolds with Subcircle's most recent missive.

Photo: Jess Weitz
  • Reviews

Making Matters – Uncovering Process at the Vermont Performance Lab

Meredith Bove

I thought to myself, this will never happen again.

Photo: Kevin Monko
  • Reviews

I love her: Chelsea & Magda

Lauren Samblanet

For every action there is an opposite but equal reaction. For every shame, there is a pleasure.

Photo: Tasha Doremus
  • Reviews

The Container and the Contained

Anna Drozdowski

The opening salvo of a series of performances accompanying the installation—each of them at night, with a rotating cast prese

Photo: George Maracineanu
  • Culturebot Partnership, Reviews

They, Themself, and Schmerm at Abrons Art Center

Alice Pencavel reviews Becca Blackwell's solo show at Culturebot.

Janine Antoni in collaboration with Anna Halprin
  • Reviews

Taking Off from Anna Halprin’s Dance Deck: Ally at the Fabric Workshop and Museum

Jonathan Stein

Halprin’s most recent dance deck-mates include Janine Antoni and Stephen Petronio

Photo: Tasha Doremus
  • Reviews

Action is Primary is Not a Ballet

Jenna Horton

Action is Primary is not a ballet. Action is Primary is a score. Action is Primary is a dance about what dance is.

Photo: Brian Hunt
  • Reviews

The Ballad of Trayvon Martin: Diary of a Black Man

Gregory King

On stage they were admired, but on the streets their attire would make them the targets of discrimination.