Guest writer Tania Isaac reflects on what comforts, and what sustains.
Fringearts is in full force in Philadelphia, and I am in Budapest, watching L1danceFest.
Nicole Bindler reports on her experience setting work on the dancers of Diyar Dance Theater, a Dabke company in the occupied West Bank in Palestine.
What new connections and directions emerge this year from the Fringe Festival's explosion of artistic expression?
Philadelphia dance-goers describe their evening at Zambrano's "Soul Project" in alternately poetic and analytical prose.
Zambrano’s aim was to present the dancer as “being continuously alive.”
Greg performs 2,000 individual, unrepeated movements for one hour. But what is one movement anyway?
Before he was a fallen black man, he was an unarmed black man. Now he lies as a shell of his former self.
A Fringe audience questions binaries--how borders circumscribe and overlap and sometimes carve out small, human spaces.
Their deeply embedded heritage bound them together as they stepped towards an unforeseen fate.