What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.
Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.
The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.
Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.
I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.
Read a re-cap of thINKingDANCE's Philadelphia Fringe Festival twitter reviews.
Puts the spotlight on the ritualistic nature of performance.
They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.
Dancers scratch on the wood, tap it, rap it, and soon the audience joins into this gentle symphony.
The pony palace is the field house, or the football field, or sometimes the whole game of football in this fun, refreshing creation.