
Side by Side: Philadelphia Churches (and bodies in them)
In the graveyard of St Peter’s Church in Philadelphia, once

Side by Side: Philadelphia Churches (and bodies in them)
In the graveyard of St Peter’s Church in Philadelphia, once

In A Time Warp Called Reality, Theatre in the X Travels to the Museum
In a quest to reach new audiences for performing arts


Hoochie in the Front, Coochie in the Back
In the front: the hoochie. In the back: the coochie.

Fringe Picks: 5 tD Writers on What They’re Seeing this Year and Why
The FringeArts Festival, no matter your take on it, is a



I Wanted to Love You, Blood Wedding
We met opening night.I sat, curious. A stranger. Sensed the

“This machine kills fascists,” this garden grows ketchup, and Alexandra

Collapsed Time, Big Dance, and Pepys’s Penis
Samuel Pepys is concerned about his dick. Excuse me, his


How is a Ballet Like a Plane Explosion?
January 11, 1938. Captain Musick in command of the Pan

Erotic Divine, Born of Structural Space
Writers of dance have told me, “write what you see.”Well,

Action is Primary is Not a Ballet
Action is Primary is not a ballet. Action is Primary is a

David Brick, Quixotic Ringmaster of a Quiet Circus
David Brick, co-director of Headlong, is deep in investigation mode

Towards the end of her work Lasso Belly, Christina waxes poetic-casual

Jenna Horton lives in Philadelphia as a performance artist, thinker, and maverick theatre maker. She is currently meditating for 20 minutes a day and actively investigating independently led learning outside of an institution. She loves the live arts for providing a place to explore how bodies breathe and think and speak. She is a former staff writer with thINKingDANCE. Learn more.