
Reflections, Refractions, and Remembering: A Look at 1-Way Mirror
Halfway through 1-Way Mirror, Mimi Doan struts around the stage in
Reflections, Refractions, and Remembering: A Look at 1-Way Mirror
Halfway through 1-Way Mirror, Mimi Doan struts around the stage in
“Why, oh why did the soul plunge/from the utmost heights/to
Franklin’s Key: A Fun Romp Through Fiction
I’m waiting outside the Plays and Players theater, waving at
2.0 The horse is blonde, and other mutterings
Christy Funsch and Julie Mayo, choreographic instigators and artistic sounding
Finding Community, Building Community: An Interview with Philly Dance Share
“If you were to describe Philly Dance Share in one
“My Story Begins Very Simply” | a career’s worth of dancing
In her collection of essays, Hiking the Horizontal, Liz Lerman asks
René Girard, in Violence and the Sacred, writes that “When unappeased,
Shifting Colors and Disco Balls
Bright colors pulse in the background, emanating a gooey, paint-like
“Falling Up” is Buoyantly Joyful
Upon entering, I am offered a laminated card, covered in
More results...
Madeline Shuron is an artist, educator, and movement/dance dramaturg based in Philadelphia. They are a staff writer with thINKingDANCE.
Madeline Shuron (they/she) studied theater at Bryn Mawr College and is an MFA candidate and lecturer in dance at Temple University. As an artist and educator based in Philadelphia, she is interested in investigating embodied affect and interrogating the audience-performer relationship through an interdisciplinary approach of dance, theater, film, puppetry, and clowning. Their scholarship blends film, literature, educational pedagogy practices, and performance studies into a delicious mix of joy and play. Madeline’s work (both artistically and scholarly) has been witnessed at the Philadelphia Fringe Festival, Temple University, the Lawrence Art Center (KS), and Post45, and she has given lecture-demonstrations at University of North Carolina at Asheville as well as Massachusetts Institute of Technology.