To see children play is to understand the balance between structure and whimsy.
Warned of extreme gore, I also discover in BASEMENT a man struggling to cope with a deeply complex love story.
The ensemble marched in time to “Do you hear my cell phone ring?”
“Let's turn this suck into a success.”
“Come Back, Little Sheba” is realistic, sad, funny, and beautifully situated in the Bethany Mission Gallery.
Sneakers grapples with loss on several levels, interweaving personal grief and the objectification of art.
This play between 2D and 3D creates delight throughout the show.
A wildly physical Theater of the Absurd that revels in the scatological and the hyperbolic.
Philadelphia’s independent dance artists deserve some love.