AAPI Performance

Anh Vo performing at The Rail Park, an outdoor space. Three dancers stand with their backs toward the observer, looking toward a blue and white modern-style building. They stand on a concrete edge, with the chalked words "FORM IS A FEELING" sketched across the platform.
Photo: Albert Yee, Courtesy of Asian Arts Initiative

The Assurance of the Ecstatic: On Anh Vo’s Three Performances

Mang Su

Being possessed is not a state but a devotion.

Wen Hui, a Chinese woman dressed in a red striped shirt and black pants, looks down past her nose at Japanese counterpart, Eiko Otake, while reaching a claw-shaped hand out to Otake’s face. Otake wears a baggy white dress that hides her form. One of her hands meets Wen Hui’s upper arm, while the other pulls Wen Hui’s hand to her face.
Photo: Zhou Huiyini

War is (in)human

ankita

We are all tangled. Do you understand?

Found in Translation

ankita

A child of immigrants dances in her parents’ kitchen

Tender and frail. Eiko Otake, a slender, elderly Japanese woman dressed in a crumpled white gown, brow furrowed, worriedly looks at the ground in front of her. With bent limbs, elbows prominent, she clutches a woman familiar to her close to her body. Dressed in a lightly pinstriped red blouse with steel-colored trousers, this woman, Wen Hui, leans to the ground, gazing down at the edge of her fingertips.
Photo: Jingqui Guan

Old Lessons for New Wars

ankita

We have all known war, but have we learned?