Annie Wilson

Photo: Annie Wilson

Keening Humans and Instructions from Creatures

Janna Meiring

Ruminating on the depth and color of human and creatures' experience.

Photo: Daniel Kontz

Seafaring Brilliance

Patricia Graham

What pulls on my heart is that they have something to say: How does one nurture commitment over time?

Photo: Kate Raines/Plate3Photography

Other Lives

Carolyn Merritt

If a voice inside your head told you to follow someone, would you?

Photo: Daryl Pevato

Grappling With Whiteness in a Field of Poppies

Nicole Bindler

Poppies remain dormant for years before bursting into red glory, as do revolutions.

Photo: Annie Wilson

Rocky XV

Becca Weber

The Rockies began as a slapdash celebration, with the dance and movement community drinking together, celebrating, and laughi

Photo: Jen Cleary

Grief, Ritual, and Active Rejection

Julius Ferraro

The bastard: an urge to fall down, a depressive thought that won’t flush away, the bobbing reminder of personal failure.

Photo: Tasha Doremus

The Container and the Contained

Anna Drozdowski

The opening salvo of a series of performances accompanying the installation—each of them at night, with a rotating cast prese

Photo: Johanna Austin

My body, and other questions I had for Annie Wilson

Kat J. Sullivan

Lovertits wasn’t about the bodies at all. But it was the bodies.

Photo: Johanna Austin, AustinArt

MY FALL IN BODIES. FOR ANNIE.

Kirsten Kaschock

How do you reclaim something that, while rightfully yours, has always been used against your autonomy?

Photo: Hope Davis

Meat

Nicole Bindler

They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.