Brian Sanders
- Reviews
Amy Schofield
PROTOTYPE helps us remember the pleasure in slowness, the vulnerability in trust, and the fearlessness in experimentation.
- Reviews
Kalila Kingsford Smith
Perhaps it's revolutionary to have a local non-ballet choreographer set a work on PAB.
- Reviews
Lynn Matluck
Luna had a way of making the showy encounters with objects approach poetry, particularly in “The Grid,” a solo with what appeared to be a discarded window frame...
- Reviews
Lynn Matluck
From a nightmare of heartless civilization and oozy evolution into the sunshine of play.
- Reviews
Kilian Kröll
The Gate hovered at the crossroads of Cirque de Soleil and the Chippendales, with acrobatic dancing in progressive states of undress.