Flamenco babies, Beyoncé and old souls.
The emotion and the dynamism of the dancing transcend any language barrier.
These two powerful, petite women dance face to face, side by side, back to back, and, at times, as one another’s shadows.
The dancing of the Antonio Gades Company punctuates Opera Philadelphia's "Ainadamar" with dynamic range.
An investigation of women’s stories and the meeting of flamenco and postmodern dance, 1096 integrated two competing images of women – soft, compliant and supportive vs. strong, unyielding and leading.