jazz

Shadow Cities: Weaving Histories Through Motion, Music, and Light

Emily “Lady Em” Culbreath

Ephrat Asherie Dance, Arturo O’Farrill, and Kathy Kaufmann take audiences on an exhilarating journey of blurring artistic boundaries.

Aylin Bayaz stares fiercely into the camera as her arm whips behind her head, the large red and gold fringed fabric she holds billowing out in front of her, completely hiding her lower body . To her right, Raul Mannola sits in a black suit strumming a guitar, his eyes closed as he listens to the music.
Photo: Richard Clark, Philippe Dedryver

Flamenco Whenever, Wherever

Caedra Scott-Flaherty

The skillful duet brings to mind a dimly-lit café in Seville.

Photo: Sasha Onyshchenko

we show you what we want to

desire amaiya

are moments enough?

Photo: Jano Cohen

Vibrational Affinities

Shayla-Vie Jenkins

The musicians skillfully call and respond while the dancers unabashedly labor to find a visceral relationship in concert with

Photo: Tim Blackwell

Ripples of Rhythm

Miryam Coppersmith

Rhythm carries me through; each of the performers shine in moments of complex rhythmic interplay.

Photo: Maria Baranova

Love and Fight

Emilee Lord

Non-linear storytelling charged with struggle.

Image: Alex Tharnish

Decolonizing Dance Writing: The Necessity of Evolution!

Gregory King

Five writers from the "Dance Criticism and Aesthetics" summer course share their insights.

Image: Alex Tharnish

Decolonizing Dance Writing: Body Stories and the Bedrock of Dreams

Gregory King

Five writers from the "Dance Criticism and Aesthetics" summer course share their insights.