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Judson Church

Off center, an old woman sits on a metal chair in front of white curtains. Her hands sit comfortably on top of her stomach, and she smiles mischievously at the camera.
Photo: Ron Wyman
  • Interviews

Becoming “Not You” in Action Theater: An Interview with Skye Hughes

Brendan McCall

Skye Hughes talks about her experience with Action Theater

(Left to Right): Burr Johnson, Savannah Gaillard. A bald man with a beard sits on the floor, he wears what looks like a loose skirt or dress, and gazes at his right arm which is gently extended horizontally from his side. Nearby, a woman with dark hair wearing shorts stands in profile in front of a wall made out of tatami, a small doorway in front of her.
Photo: Maria Baranova
  • Reviews

Trisha Brown: The Joy of Looking Back

Brendan McCall

Reconstructions and a world-premiere continue Trisha Brown´s legacy

A woman in a black leather coat, jeans and a black bowler hat squats down. Her long hair is blown across her face obscuring it and her hand moves up to brush it away. The name Clare Croft appears in black letters in the top left corner. In large white letters, the bottom of the photo reads: Jill Johnston.
Photo by Phyllis Birkby
  • Book Reviews

Interrupting the Paper Daughter

Emilee Lord

Reading writing on a writer dancing

Notation: Gabe Valentine
  • Book Reviews, Interviews

Embodying Marks: Dance Notation and Scores in Conversation

Emilee Lord

A conversation on motif description and scores with Emilee Lord and Brendan McCall.

Photo: MoMA
  • Reviews

Judson Dance Theater’s ‘Unassuming Radicality’

Andrew Sargus Klein

A legacy resisting if not outright rejecting formal documentation.