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Megan Mazarick

Danielle Currica, one of the four soapbox dancers, lunges low and extended on a diagonal to the left front of the stage. She looks intently, perhaps searching, with wide eyes, wearing a long blue garment with fabric extensions behind her attached to four ropes, faintly seen extending into darkness beyond.
Photo: Jano Cohen
  • Reviews

Megan Mazarick’s Searing Subversions

Jonathan Stein

"soapbox" explores the nature of the ‘performative self’ versus our interior lives.

Photo: Amber Johnston
  • Reviews

I present a present presently

nikolai mckenzie ben rema

Stacking on bones like a winter blizzard...time can accumulate/elongate and backflip on itself.

photo by Amber Johnston
  • Reviews

Gamer Dance Deconstructs Binaries

Lu Donovan

In this world, everyone’s name is Chad. All Chads are gay for all other Chads.

Photo: Jonathan Stein
  • Reviews

Portal Into Our Times, and It’s Live!

Jonathan Stein

Experimenting with live performance during the pandemic, and using its limitations to inform the work.

Photo: Mohan Rao
  • Reviews

Connecting Amidst Chaos—PDP presents Dance Up Close

Janna Meiring

The setup amplified each artist's response to the current state of the world.

Photo: Jungwoong Kim
  • .

Postcards from My Selves in Budapest

Megan Mazarick

Guest writer Megan Mazarick reflects on her PDP residency in Budapest.

Photo: Johanna Austin
  • Reviews

Scratch Night Returns

Ellen Chenoweth

Three moments during Scratch Night stood out in their intensity or departure from predictable performance customs.

Photo: Kate Raines
  • Reviews

Questioning Conventions, and Questioning the Questioning at Scratch Night

Becca Weber
Photo: Lindsay Browning
  • Reviews

Dear Megan Mazarick and Mason Rosenthal of “Mining the Mine of the Mind for Minderals,”

Annie Wilson

It takes a huge consciousness to live in the structure of a performance as opposed to clinging to it.