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Modern

Christopher Kaui Morgan gazes off to the side, smiling serenely in a studio that radiates warmth. Outfitted in various shades of blue, his hands rest gently on his hips in the pockets of a navy cardigan, as his weight shifts over to one leg. He is an image of confident grace, wearing chunky high-heeled boots that add a splash of exuberance to his professional demeanor.
Photo by K.C. Alfred
  • Interviews

Infiltrating Institutions with Christopher Kaui Morgan

ankita

Christopher Kaui Morgan—infiltrator and advocate—holds the door open for Native Hawaiian and queer communities.

Two dancers are intertwined, reaching upwards with their arm while in a lunge. Behind them, two other duets of dancers are intertwined making similar reaching shapes. The lighting is dim and warm, and the dancers wear multicolored pedestrian clothing. They are soft, with open palms and gently bent arms.
Photo: Owen Burnham
  • Reviews

Staring Back at You

Rachel DeForrest Repinz

“Where the Violets Bloom” illuminates stories of queer love, joy, violence, and community.

Photo: Rob Li
  • Reviews

Traversing Culture and Time – Kun-Yang Lin/Dancers’ Breath Into Air

Ziying Cui

Kun-Yang’s new piece “Breath Into Air” traverses cultural boundaries by exploring a collective human consciousness.

Photo: Pablo Meninato
  • Reviews

Becoming Animals

Madeline Shuron

Whose lives count as lives? Cardell Dance Theater seeks to answer that question.

Photo: Jeanne Ruddy Dance
  • Reviews

Aging Bodies, Changing Times: Jeanne Ruddy Dance Company Takes Its Final Bow

Annie Wilson

Freelancing is the wave of the future, and that is what Ruddy intends to do next year.