New York Live Arts

A dancer (Gabriel Bruno Eng Gonzalez), wearing white pants and a sleeveless white top, is balanced on the ball of his right foot. His long arms are extended outwords, and both of his legs are bent. Another dancer (Aaron Loux), also wearing white, lunges on his right leg, and holds Gonzalez´s hand to help him suspend his balancing position. Behind the two of them, in front of a screen the color of deep blue, we can see other dancers standing in the distance, looking at them.
Photo: Maria Baranova, courtesy of New York Live Arts

Artifacts of Thought from the Closeted Mind

Brendan McCall

Forty years on, Tere O’Connor’s dance visions remain personal, unpredictable, and provocative

Four performers dressed in silver, with black caps, pause with their backs to the audience, three in chairs and one standing. They gaze at four shimmering towers of silver fringe.
Photo: Cherylynn Tsushima

The Future is Disabled (and wearing silver fringe)

Rachel DeForrest Repinz

The Next TiMes interweaves holistic access offerings with shiny, futuristic aesthetics.

An African American man wearing a yellow shirt leans his head towards the camera, against the chest of a white man with a mustache, while at the same time being gently pulled in the other director by a third dancer with gold hair.
Photo by: Amelia Gordon

Choreography at the End

Brendan McCall

Miguel Gutierrez,New York Live Arts,MANCC,Are You For Sale podcast,BIPOC,LGBTQ+

Photo: Maria Baranova, Courtesy New York Live Arts

Four New Visions

Emilee Lord

Precision, Play, Autonomy, and Rest in this year's Fresh Tracks.

Photo: The Adeboye Brothers

The Magical Realism in TRIBE’s Black Hole

Emilee Lord

An otherworldly trio navigates non-space with undulating clarity

Photo: Julieta Cervantes

One After Another

Eleanor Goudie-Averill

Like Rethorst, Miller places one event after another without being precious about it.

Photo: Ian Douglas

Archiving Occupation, Identity and Resistance

Nicole Bindler

Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.