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Philly Fringe

The poster of the Full Circle features portraits of the four choreographers, from left to right, Meredith Rainey, Weiwei Ma, Dr. yaTande Whitney V. Hunter, and Dana Williams.
Photo: Performance Garage
  • Reviews

A Cross-Cultural Encounter: DanceVisions’ Full Circle

Ziying Cui

Four choreographers showcase the diversity and inclusivity of Philadelphia’s contemporary dance scene.

Photo: Tara Mercene
  • Reviews

For yourself, to yourself

Megan Mizanty

An autobiographical tale of motivation.

Photo: Rosie Simmons
  • Reviews

Timespan of a Melting Candy

Megan Mizanty

An acutely compassionate glimpse into the minutiae of sex work.

Photo: EgoPo Classic Theater
  • Reviews

On Our Backs In The Dark

Mira Treatman

Each audience member was guided by an “angel.”

Photo: Lars Jan
  • Interviews

In Conversation with Nichole Canuso

Beau Hancock

There's seeming emptiness, but the more you spend time there you realize how rich it is.

Photo: Kate Raines
  • Reviews

Railroaded by Underground Railroad Game

Gregory King

Underground Railroad Game gets a B for attempting to dissect the construct of race and shed light on a tainted history.

Photo: Johanna Austin
  • .

All We Are

Carolyn Merritt

Dust: evidence of life. Enemy of the domestic goddess. Culprit of hay fever. The stuff we’re all destined for.

Photo: Lindsay Browning
  • Reviews

Dear Megan Mazarick and Mason Rosenthal of “Mining the Mine of the Mind for Minderals,”

Annie Wilson

It takes a huge consciousness to live in the structure of a performance as opposed to clinging to it.

Photo: Nathan Jurgenson
  • Reviews

Colony: A Universe of Presence

Christina Gesualdi

The synchronous movement in Colony causes me to view Kelly Bond and Melissa Krodman as a ferocious duo, in tune to each other's every subtlety.