thINKingDANCE

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postmodern

Dancer Merián Soto kneels with one knee slightly higher than the other. Her body faces the camera but her eyes are downcast. Her medium length gray hair falls towards her face. She is wearing a flowy rust-colored top and loose khaki-colored pants. In her outstretched hands she holds two curved branches. The branch in her left hand is nearly bent in half and almost touches the floor. The branch in her right hand extends in a graceful arc above her head, mirroring the casual grace in Soto’s pose.
Photo: Bill Hebert
  • Interviews

I am the Archive

Ellen Miller

Still dancing, Merián Soto reflects on her storied career.

Two dancers are intertwined, reaching upwards with their arm while in a lunge. Behind them, two other duets of dancers are intertwined making similar reaching shapes. The lighting is dim and warm, and the dancers wear multicolored pedestrian clothing. They are soft, with open palms and gently bent arms.
Photo: Owen Burnham
  • Reviews

Staring Back at You

Rachel DeForrest Repinz

“Where the Violets Bloom” illuminates stories of queer love, joy, violence, and community.

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