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Portia, a white trans non-binary person, crouches over a mix of DJ mixer, wires, and opened journals strewn across the floor. They wear a black tank top and athletic shorts, and focus in on a laptop. The glow from the laptop and other technical elements subtly illuminate Portia.
Photo: Ofentse Kwenaite
  • Reviews

When the Muzzle Comes Off, Who Do You Bite?

Rachel DeForrest Repinz

Portia Wells finds their bark.

Two people dressed in blue sit on top of an overturned recycling bin, with their arms extended overhead as if riding a rollercoaster. They have nervous looking facial expressions, and are in front of a curtain backdrop which is painted like a bedroom. There is a hand coming from behind the backdrop, grasping it, as if preparing to enter the stage.
Photo: Dylan Smythe
  • Reviews

Has Sadness Ever Taken You Down to the Dump?

Caitlin Green

“THIS IS THE WORST DAY EVER!”

A dancer stands in a wide lunge with arms reaching wide and palms facing upward as if she is scooping the air above her. She wears a geometric red and grey leotard with black pants and a line of white face paint framing her chin. She is doused in a deep red light.
Photo by Steven Pisano
  • Reviews

Garlic and Power at Out-FRONT! Fest.

Rachel DeForrest Repinz

Angie Pittman and Kyle Marshall Choreography deliver a powerful split bill as part of the radical queer dance and film festiv

A white gay man lies on the floor, almost fully naked. A Black gay man dressed in a tropical dress with a hair scarf, sunglasses, and a floral bag stands next to them, extending their arms as if asking, “What’s the matter?”
Photo: Paule Turner and Dane Eissler
  • Reviews

My Pussy Hurts Too

Anito Gavino

Crumpled tissues on the floor, half-emptied soda bottles, and a raggedy wig tossed on the floor tell stories.

Meghan Frederick in a kneeling, twisted pose, wearing a tank top covered in yin-yang symbols and a skirt patterned with the American flag, performing on a stage with abstract drawings taped to the wall behind.
Photo: James Izlar
  • Reviews

Embodying a Turbulent World

Ziying Cui

A rejection of traditional meaning-making in Western theater and improvisation.

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