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Theatre Exile

Three people wearing all black stand next to a ladder in a blackbox theatre holding a puppet. The puppet is climbing the ladder and waving one arm overhead. There are various hand-crafted sculptures and props surrounding them, and an image is projected on a screen behind them.
Photo by: Sebastienne Mundheim
  • Reviews

Kea and the Ark

Caitlin Green

Each step forward is a calculation that risks the possibility of imbalance.

Marguerite Hemmings is surrounded by green trees and grass, pictured mid-air, as if descending to the ground head-first. One arm is outstretched to break the fall while the other arm is bent around their head, and their feet have kicked up the sand behind them.
Dante Napoli
  • Reviews

What is justice without love?

Caitlin Green

Uninhibited, Hemmings generates an electrifying presence, channeling vitality and rupture.

Still image from Sin Eaters
  • Reviews

Eating the Sins of Others

Kristen Shahverdian

Theatre Exile’s Sin Eaters is a psychological thriller peppered with satire, a film noir for our times.

Photo: Paola Nogueras
  • Reviews

A Perfect World?

Carolyn Merritt

Babel explores government intervention in reproductive policy as a strategy for survival.

Photo: Paola Nogueras
  • Reviews

Between the Sacred, Profane, and Mundane

Kat J. Sullivan

Falling back into destructive coping mechanisms