Thirdbird

Photo: Herman Sorgeloos

Facing Facing Front

Lynn Matluck Brooks

Lynn Matluck Brooks and Christopher Brooks reflect on programs 1 and 2 of Facing Front, featuring Jonathan Burrows and Matteo Fargion.

Photo: Dieter Hartwig

Public in Private vs. Private in Public

Eleanor Goudie-Averill

We live in a world that is both our living room and our soapbox. These two works--Allege and Singer/Songwriter--engage in the constant conversation between public and private.

Photo: Lindsay Browning

Experiencing Meg Foley

Megan Bridge

Dear Meg, It was such a pleasure to see you dance just now...

Photo: Gábor Dusa

Birdwatching And Matchmaking

Kirsten Kaschock

For the upcoming Blind Dates at the Arts Bank, thirdbird decided to up the ante and add what they call a “third wheel.”

Photo: Hiel Reinout

Something From Nothing: Eleanor Bauer at Christ Church Neighborhood House Theater

R. Eric Thomas

A carefully calibrated explosion of grandiosity, Bauer’s solo is a study of opposing forces in collaboration.

Photo: Alex Escalante

Seen & Heard: The Remix

Beau Hancock

A picture of Seen & Heard that moves beyond the impressions generated by the four authors whose words are reconfigured here, to a thickly textured remembrance.

Photo: Anna Drozdowski

The Art of Articulate Economy

Annie Wilson

I think the gold of the TD project is the opportunity to understand our personal and shared ideologies about dance and performance.

JJ Tiziou / jjtiziou.net

Seen and Heard: It’s Music to My Eyes

Ellen Gerdes

Promising “potential for disaster and greatness,” Blind Date: dance and music duos presented far more greatness than disaster.