Photo courtesy 3 PONY SHOW/keila cordova dance
Photo courtesy 3 PONY SHOW/keila cordova dance

KITH: A Moving Constellation of Kinship

Janna Meiring

On the black marley floor is a constellation of words and drawings in chalk. A lone dancer quotes physicist Alan Lightman: “Imagine. A hundred thousand stars all concentrated together as a tight ball whizzing about like angry bees in a bee’s nest.” As she speaks, she slowly lunges forward, leading with the crown of her head, scoops and then arches backward, brings her arms out to her sides extending from the center of her chest. Her movement feels expansive, as if this globular light is emanating from her body.

In KITH, 3 PONY SHOW/keila cordova dances explores kinship through the metaphor of stars pulled together by the power of gravitational attraction. Six dancers swirl and spiral around each other in a tight cluster, which moves in a wide arc   from downstage right to far upstage center, as if they are hurling together through space. They revolve, affect, propel, and shift by curling their spines through a gap between an arm and leg, or leaning into contact to ground a reach. This cluster moves across the stage as I imagine a giant ball of stars must move together in space.

Another dancer demonstrates an aspect of human relationship that parallels the concept of “zero” in mathematics—“there is no I, you, or we in zero.” These short lessons in physics interweave with personal stories that were collected through an online survey. Both spoken and converted into movement sequences, the stories reflect individuals being sustained through hard times by a close friend, having people you can always rely on to hold you accountable, or creating your own network of family that “may as well be blood.”

3 PONY SHOW/keila cordova dances, under the direction of Cordova, artfully balances a state of constant movement with sustained presence. Fusing movement scores with a music compilation of old folk songs, bluesy guitar rhythms, and nostalgic piano, KITH leaves a feeling of appreciation for the expansive constellation of stars within and around a single human experience—the truth of which can only be encountered through the constant gravitational push and pull of the people in our lives.  

KITH, 3 PONY SHOW/keila cordova dances, Conwell Dance Theatre, Temple University, Sept. 14-16,  http://fringearts.com/event/kith/

Share this article

Janna Meiring

Janna Meiring is a performing artist, improviser, teacher, and writer. The core of her interest lies in the body as site, resource, archive, and connecting-point to all things–tangible and intangible. She is a former writer and editor with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Fringe Didn’t Kill Me!

Emilee Lord

A Guide to Not Losing Your Shit

A show poster with mostly purple tones and a purple banner below that reads RWP Fringe Knowledge 2025 Season TIMESTAMP by Karen Cecilia and Emilee Lord Dovecot Studios. Above is an image of two middle aged women in black tank tops, the one on the left with short curly red hair looking straight into the camera, the one on the right with long curly hairs looking up into the distance, Behind them is mirrored a reflected image of this same pose.
Photo: Emilee Lord

Heavy Canvas and the Performance of Patriotism

Lauren Berlin

Performing at the FIFA World Cup on July 4th in the City of Brotherly Love

An overhead shot of performers on a massive white stage or field holding up giant, elongated banners. The banners feature large red text outlined in white against a blue background, spelling out excerpts like "HAPPINESS" and "LIFE, LIBERTY". The performers wear numbered red vests over casual clothes and hold their arms high to display the fabric. Photo credit: Balich Wonder Studio.
Photo credit: Balich Wonder Studio.