Viewing author:
Megan Bridge

Experiencing Meg Foley

Dear Meg, It was such a pleasure to see you dance just now...
January 24, 2013
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Lynching and Love

The audience’s first responses: “Celebration. Bearing witness. Transparency. Shadows. Remembering. Nooses dropping. Acceptance. Pain. Repetition. Awesome.”
November 21, 2012
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From the Studio: in Cyborg Ballet, Technique Meets Technology

The balletic body is often held up as an image of machinic perfection.
October 24, 2012
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Really, It Is Kind of Huge

I can see these dancers working through ideas of physical intelligence. They are at home in their bodies, at home in making, and I can just tell that they are having a rip-roaring good time.
September 11, 2012
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Body Politics Meet Mirth, Mayhem, and Mashups in Bang

Clowning at its finest, and terrifically funny... Bang’s “meaning” was ultimately drowned out by mirth, mayhem, and mashups.
September 9, 2012
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Choreographic Thinking: Practical Philosophy for Dance

In her new book, Susan Rethorst asks dance-makers to enter the philosophical realm.
September 3, 2012
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From the Studio: Experimentation and Process

I call my work both “experimental” and “process based.” Being in the studio allows me to confront those monikers and try to figure out what they mean.
June 14, 2012
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Two dance artists sit down for a fireside chat--here is a slice of what was said.
April 26, 2012
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