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The West Philadelphia High Dance Ensemble performs in front of an audience seated around the perimeter of the room. The dancers stand close to each other with their arms raised mid-clap overhead. Some dancers wear long evergreen or rose colored dresses, while others are dressed in black pants and a white button-down shirt. One dancer stands in front of the group wearing a preacher’s robe. The ensemble resembles a lively church congregation.
Photo: Courtesy of Black Dance Confab
  • News, Reviews

Celebrating Philadelphia’s Black Dance Legacies

Caitlin Green
  • “Without [them] we wouldn’t have had a portal to come through.”
Historic postcard image from the 1930s–1940s showing the Flagler Memorial Bridge illuminated at night, spanning the water between West Palm Beach and Palm Beach, Florida.
Photo: courtesy of the Tichnor Brothers Collection, Florida Postcards Series
  • thINKpieces

Dancing Across the Bridge from Epstein: A Beautiful Place of Horrors

Lauren Berlin

A reckoning with girlhood, dance, memory, and power in Palm Beach County

Douglas Dunn stands wearing a bright yellow mask which covers his eyes. His right arm is extended to his side while his other rests on a wooden chair painted with yellow flowers. He wears a grey vest, red tie, and dark pants--a contrast to dancers Dongri Suh and Janet Charleston who stand behind him weaering flowered garlands around their heads and wear tulle skirts. A video of two waterfalls is projected onto the wall behind them.
Photo: Jacob Burckhardt
  • Reviews

Douglas Dunn’s Post-modern Pastoral

Brendan McCall

An intrepid choreographer examines classical forms through a post-modern lens

Two people draped in brown fabric rest their heads on one another’s shoulders in front of a white background. The image is edited with faint red and blue outlines.
Photo: Kosoko Performance Studio
  • Reviews

This Is Not Surveillance. You Gon Have To Participate.

Caitlin Green

//shrouded\\ evokes a necessary discomfort within the container of performance.

thINKingDANCE is a consortium of dance artists and writers who work together to provide critical coverage for dance, to build audiences for dance, and to foster the art of dance writing.

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maura nguyễn donohue lunges forward onto one foot with her arms slicing outwards from her back. She wears a mustard yellow button-down shirt, navy blue coat, grey pants, and vibrant blue sneakers. She is framed by the grey-shirted backs of Shannon Yu and Rami Margron, and the darkness behind her.
Photo: Marcus Middleton
  • Reviews

There is Something Happening in the Basement of Judson Church

Rachel DeForrest Repinz
  • The relentless drive of Pink Fang’s “The Table.”
A spacious dance studio with a gray floor, mirrored walls, and colorful geometric murals is shown during a rehearsal for First Floor Spectrum. In the foreground, two people interact through expressive movement: one stands with an arm extended overhead while the other kneels and reaches upward toward the raised hand. Additional people are visible in the background practicing choreography, while another person stands near the right side of the room, directing. The studio contains chairs, exercise equipment, and a cluster of colorful balloons near the back wall. Natural light enters from windows along the left side of the space.
Photo: Bridgette Ivkovich
  • Write Back Atchas

Transcendental Resistance: A Write Back Atcha

Emily “Lady Em” Culbreath
  • A collective reflection on Vince Johnson’s Original Scrap & First Floor Spectrum.
An empty well lit back stage space, with flats, and other equipment leaning to each side.
  • thINKpieces

The Adrenaline Cliff

  • Surviving the Dance Gig Economy
Dancer KJ Holmes, leans onto her left hip, legs folded behind her, and both hands planted on the hard wood floor. She wears a blue t-shirt, white pants, and her grey hair is pulled back from her face. Newspapers are scattered about the floor around her, and she watches the pieces she has just thrown at the camera as they fly away from her. They are blurred by their motion and closeness to the camera.
Photo: Rachel Keane
  • thINKpieces

Serious Play

Brendan McCall
  • Cathy Weis prioritizes experimentation over commercialism in her “Sundays on Broadway” series.
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From the Archives

A collection of featured work from our archives across the years

Photo: Intellect Books
  • Reviews

Dialoguing Ethics in Dance

Leila Mire
  • It is often taken for granted that dance, a field that proclaims to celebrate humanity, places ethics at the forefront of its
Photo: Amber Johnston
  • Reviews

I present a present presently

nikolai mckenzie ben rema
  • Stacking on bones like a winter blizzard...time can accumulate/elongate and backflip on itself.
  • Reviews

A Dance of Attention

Megan Bridge
  • Presence isn’t about acting, or charisma, it’s about directed and specific consciousness.
Photo Credit: Robert Eticheverry
  • Reviews

Everyone’s Dancing in “Le Grand Continental”

Jonathan Stein
  • The post-moderns not only asked “what is dance?” but also “who can or should the dancer be?”. The latter question will soon receive the resounding answer--“Everyone!"

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thINKingDANCE gratefully acknowledges support from the Philadelphia Cultural Fund, the Pennsylvania Council on the Arts, and from our readers and other individual donors like you! thINKingDANCE is supported by Critical Minded, an initiative to invest in cultural critics of color cofounded by The Nathan Cummings Foundation and The Ford Foundation.

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