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The Joy of Movement with Anna Halprin and Group Motion

Lisa Kraus

Picture an old woman painted white, hair matted with straw, folded into a hollowed-out spot of earth with grasses waving above. She moves glacially, tenderly, with eyes closed. The voiceover proclaims a love for “this old body.” It is old in the same way trees are old, as the landscape itself is old.

Anna Halprin’s enduring connection to nature took firm root as she chose West coast over East in the 1950’s. Her outdoor dance deck in Marin County California was a locus of discovery for such luminaries as Merce Cunningham, Simone Forti and Trisha Brown. In Breath Made Visible, Ruedi Gerber’s 2009 documentary screened in Philadelphia Dance Projects’ Motion Pictures series, Halprin states her case for dance that is not separate from nature or “the way things really are”. Shot as she was nearing ninety yet astonishingly vital, the film is deeply inspiring for its depiction of the sweep of her inspired dancing life and singular, visionary  path. Rather than being allied with any school or “style,” Halprin seemed to gather devotees around her who became her playmates in investigating what lay at the limits of our conventional definitions of dance. All that encompassed inviting an examination of the body as a sensorial/emotional experience made manifest, a place to explore the dynamics of psychology, of disease and healing, of division (as with the explosive black/white relations of 1960’s Watts) and community. 

To see, near its close, her ‘Seniors Rocking’ dance, with its fifty or so seniors in rocking chairs on a sundrenched swath of grass abutting the sea, and to hear these dancers’ ecstatic proclamations about how important dance is for them, one feels Halprin has given a gift of empowerment to many through her art. 

Philadelphia’s venerable Group Motion was also featured in the screening with Djuna Wojton’s short documentary giving a window into the group’s Friday night improv sessions. Here too, dance is a revelation for all kinds of folks: as a way to connect, to feel free and whole. Unifying “body, mind and spirit” is how they put it. Group Motion, like Halprin, is on to something that’s ‘moving’ on every level.

Breath Made Visible and Group Motion/Friday Night  screened by Philadelphia Dance Projects “Motion Pictures” series at The Performance Garage, October 5. No further performances. http://www.philadanceprojects.org/

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Lisa Kraus

Lisa Kraus’s career has included performing with the Trisha Brown Dance Company, choreographing and performing for her own company and as an independent, teaching at universities and arts centers, presenting the work of other artists as Coordinator of the Bryn Mawr College Performing Arts Series, and writing reviews, features and essays on dance for internet and print publication. She co-founded thINKingDANCE and was its director and editor-in-chief from 2011-2014.

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Three people sit in an oblique triangle that fills the frame. To the left, a musician, Aabeizer, sits on a black bench in carpenter jeans and a dark t-shirt. His eyes are closed and his feet bare. He moves his hands around a circular plate and wooden dowels that extend from a wood board he holds against his chest. To the right, a saxophonist, Bhob Rainey, sits on a folding black chair in a black cardigan and grey pants, blowing into the mouthpiece and pressing the keys. Between them, a person with short red curls, Kayliani Sood, crosses their legs on a white stool, sitting higher than the musicians beside her. They wear brown shorts over grey pants and a black t-shirt with a blue square patch in the center. She rests one hand on her knee, and the other over their forearm, closes her eyes and tilts their head pensively to the right.
Photo: Loren Groenendaal