P.S. #3: Public Props

Who in the dance world are you thankful for?

Megan Bridge · Director at Thefidget space
I’m thankful for Manfred Fischbeck, Brigitta Hermann and Helmutt Gottschild for kick-starting Philly’s contemporary/experimental dance scene in the late 1960s. If it weren’t for them many of us wouldn’t be doing what we’re doing right now. Yay Philly dance!

Tom Berthoff ·  Informatica Architect at Susquehanna International Group
Khmer Arts Ensemble; Mikhail Baryshnikov; Merce Cunningham

Susan Taney
 · Nurse Practitioner at Northern Counties Health Care
Only the best wishes for your success!

Lisa Labrado
 · Works at Paul Taylor Dance Company
Paul Taylor, Paul Taylor, Paul Taylor and his Company.

Lynn M. Brooks
 · F & M
Genevieve Oswald, curator-emerita of the Dance Division, New York Public Library for the Performing Arts at Lincoln Center. Tom Baird and Paige Whitley-Bauguess, baroque dance teachers extraordinaire. Nadine Revene, my beloved ballet guru. Kim Jureckson, founder and artistic director of Grant St. Dance Company in Lancaster, PA. Minna Bailis, my first dance teacher, when I was a wee one.

Laura Vriend
 · Philadelphia, PennsylvaniaWOW! While a great many local folks immediately spring to mind: Nichole Canuso, Andrew Simonet, David Brick, Amy Smith, Lisa Kraus, Meg Foley, Megan Bridge, I’d really like to express my gratitude for Anna Halprin here as well.

Lisa Kraus
 ·
Toni Shapiro-Phim spoke at the CORD conference about how, as part of their working process, Cambodian dancers always invoke the spirits of past masters and teachers. In that vein: Judith Dunn and Jane Dudley.

Share this article

PARTNER CONTENT

Keep Reading

Tango – I Think About It All the Time

Rachel DeForrest Repinz

Tango Therapy Project offers community, connection, and joy.

A group of dancers wearing various multi-colored shirts sit in chairs arranged in a circle in the center of a church meeting room. They are surrounded by intricate stained glass windows, warm wooden flooring, and off-white painted walls. As they sit, they raise their arms above their heads and smile at one another.
Photo: Helio Ha

Multilayered Memory in a Feminist Timescape

Emilee Lord

Jasmine Hearn’s Memory Fleet: Beloved, Let’s Cross

A dancer dips into a low second position, leaning over her right knee, chest and chin lifted, an open right hand reaching. Her silver top and the billowing folds of her skirt shimmer in the blueish light. Behidn her a row of dancers standing in gowns of different constructions and colors, sparkling and reflecting as behind them a video of a field path plays, one dancer in a yellow dress walking on screen.
Photo: Maria Baranova