A Danse4Nia Correction

Dear Editor,

I would like to correct some errors stated in Kariamu Welsh’s recent review of Danse4Nia’s concert on Sunday, November 6th. Danielle Currica did not perform with us in this concert. Though she often serves as our guest artist, she was not with us on November 6th. Also, the order of the show was Caged; Better to Have Loved; Descending, Ascending; and Standing in My Skin. I sincerely appreciate that Ms. Welsh attended our performance and chose to review us, but I just wanted to address these inaccuracies.

Many thanks,
Sara Nye

Share this article

PARTNER CONTENT

Keep Reading

Science and Dance in Creative Conversation

Jen George

Science in partnership with dance yields collaboration and contrasting forces.

Two dancers wear black costumes, and the lighting is low and shadowy. One dancer lays face-up on the stage with arms softly outstretched to the sides and their chest lifted off the floor, legs bending at the knees. The other dancer sits, gazing downwards at them. Dancers: Sayer Mansfield, Marla Phelan
Photo: Tim Richardson

The West Did Not Make Me

ankita

An Interview with nora chipaumire

nora chipaumire, a Black African woman takes the stage in 100% POP with her collaborator, Shamar Watt, a Black Jamaican man in a black Adidas tracksuit and red-green-yellow, Zimbabwe-flag-colored Nike shoes. As he runs through the frame upstage, backgrounded by a grungy, urban wall, chipaumire captures the camera’s focus as she jumps into the air, one knee tucked up to her chest, the other a foot off the ground. Wearing a ripped white shirt, black track pants, and all-white high tops, chipaumire gazes down at the ground while she leaps up, as if stomping her way back to Earth.
Photo: Ian Douglas