Meet the Writers: Ellen Gerdes

Ellen Gerdes

What are you most excited to cover through TD?  
Anyone who has sat next to me at a show knows that I get jazzed talking about cultural politics/representation in choreography.

How has TD affected your other dance-related work?  
It makes me re-think the difficult task I set for my students.  It isn’t easy to succinctly and articulately describe a dance event.  I think a lot about how to make writing about dance more fun for them.

Which part is challenging, scary, difficult? 

I’m worried people will see me only as a writer and will forget about me as a performer.

How/when did you learn to type?
I am self-taught, so I don’t use the home keys (and rarely my right middle finger).  It works just fine!

If I never see another …. again, it will be too soon.

…another dance with purposeful bad singing…unless it is Eleanor Bauer!

What would your parents say about your work in the arts? 

“Ellen is busy navigating her free-lance artist’s lifestyle with a color-coded schedule she sends to us via email.  She is brave and talented.  A lot of her shows look like Wesleyan dance concerts.”

If you were to write a dance love-letter, it would be to:
Bebe Miller.

Finish this sentence “Good writing…” 
…makes me jealous.

Finish this sentence “Good dance…”

…stays with me.

Share this article

Ellen Gerdes

Ellen Gerdes teaches in the dance departments at Temple University and Swarthmore College. She holds an EdM in dance from Temple and a PhD in Culture and Performance from UCLA. She is a singer, dancer, and mother. She is a former staff writer with thINKingDANCE.

PARTNER CONTENT

Keep Reading

This Is Not Surveillance. You Gon Have To Participate.

Caitlin Green

//shrouded\\ evokes a necessary discomfort within the container of performance.

Two people draped in brown fabric rest their heads on one another’s shoulders in front of a white background. The image is edited with faint red and blue outlines.
Photo: Kosoko Performance Studio

Donald Byrd’s Five Alarm Dance

Brendan McCall

Donald Byrd sounds the alarm in his latest work connecting 9/11 to the crises of our current moment.

Six young dancers stand in profile, all facing right, under bloodred stagelights. They balance on their right foot, while holding their bent left leg with their left hand behind them. Their right arms are extended in front of them, their palms flexed, as if threy are saying "stop."
Photo: Steven Pisano