Performance Garage to Remain Open

Anna Drozdowski

The Performance Garage, home to Jeanne Ruddy’s dance company for more than a decade and a space used by many in the Philly dance community for rehearsals, classes and performances, will remain open for the ’12-’13 season as a rental venue.   

There is “plenty of availability,” according to Rentals Coordinator Judy Williams, who indicated that the late decision to remain open (made earlier this month) has resulted in a virtually clean calendar for the coming year for both the studio and theater.

The Brandywine Street building, renovated in 2002, is owned by Victor Keen, a long time supporter of JRD and husband to Ruddy–both of whom have been engaged in sustainability and succession planning for the building over the past three years.  

Further details about the separation of the two entities and launch of the independent Performance Garage will be made public on September 4th, 2012. 

For more information about the future of the facility contact Rachael Glashan: rglashan@ruddydance.org.  

To inquire about availability: rentals@ruddydanc.org

http://www.ruddydance.org/garage/

Share this article

Anna Drozdowski

Through Ladybird, Anna Drozdowski embarks on international projects in organizational development, mutual understanding and research–most often in dance. She is a staff writer, editor, and co-founder of thINKingDANCE.

PARTNER CONTENT

Keep Reading

Banyan Dance Festival: I Am Because We Are

E. Wallis Cain Carbonell

"We must remember on whose shoulders we stand.”

In rehearsal with Sean Aaron Carmon, the Resident Choreographer at Banyan Dance Festival’s Inaugural week, dancers practice phrasework close to a light grey marley floor. In the foreground, a young white woman with loose brown hair in navy basketball shorts, black kneepads and black socks hinges backward. Carmon, a young black man with curly hair and a red bandana demonstrates floorwork in the background of the photo. Other dancers are busy at work in the rest of the photo. Some are part way out of frame.
Photo: Anthony Bethel

Variety and Conformity in Community Work

Zoe Farnsworth

The enthusiasm and community were vibrant, but the choreography left me wanting more at Philly Dance Day's 2026 Showcase

Several lines of students are mid bounce/step, focused on executing the choreography. All face front toward a wall lined with mirrors. The instructor stands in the middle of the front row of dancers. Participants wear a variety of athletic wear–workout sweats, tanks, shorts, long-sleeve zip ups–and most dance in sneakers.
Photo: Kirwei Lo