Photo: Bill Hebert
Photo: Bill Hebert

A Photographer Presents!

Kariamu Welsh

Bill Hebert, a well-known Philadelphia dance photographer, presented his fourth showcase at the Community Education Center. During the evening, Hebert made his debut as a dance videographer with a short video-dance piece featuring Jaynie Anguiano.

The showcase included a diverse grouping of choreography and dancers. The CEC’s stage is small, so companies with larger ensembles were challenged by its size and most of the dancers were challenged by its lack of wings. Given that, the solos were the standouts.

Dangerous and Moving’s Scott Park choreographed and performed an impressive solo, Speechless, set to a soundtrack of a raspy male voice encouraging his team to persevere in the face of an adversary. Alexis Convento, a dance artist from New York, was funny, agile and beautifully present in and then I –, an improvisational work set to the Rolling Stones classic song “I Can’t Get No Satisfaction.”

In You Should Be Dancin, an excerpt from a larger work, Fernando Quinones pranced, strutted and did splits, conjuring up vamping and vogueing. His facial expressions drew the audience in; with a wink and a nod, he swept off to the delight of the sold-out crowd. 

Kiara Lopez performed one of the shortest dances that I have ever seen. One Day Your Life Will Flash Before Your Eyes, Make Sure
It is Worth Watching 
 was short, sweet and quite effective. This was a dance that I would have liked to see more of.

Other soloists were Rachel Neitzke  and Lauren Williams.

Underground Dance Works presented Fiction by artistic director Charles Tyson, distinguished by its creative use of the space. In Invader of Mine by Megan Mizanty, two dancers, one in a white mask, danced intricate gestures and intense sweeping arcs.

Monarch, a company led by Tabitha Robinson-Scott from the Lehigh Valley performed Prey, an excerpt of a larger work. The twelve dancers are to be commended for working on the small stage, but they really needed a larger playing area for the work to be fully appreciated. The same challenge was faced by MM2 as the group tried to navigate the small stage with large movements and several dancers.

The BillHPhotos Choreography Showcase drew on significant talent in our community, offering flashes of how dance can be magical.  It was clear to this viewer that the dancers, choreographers and audience supported each other and understood the need for and value of showcasing excerpts and works-in-progress.

BillHPhotos Choreography Showcase IV, Sept. 23, Community Education Center.

Share this article

Kariamu Welsh

Kariamu Welsh (1949-2021) was a Professor of Dance at Temple University in Philadelphia, Pennsylvania. Kariamu was the artistic director of Kariamu & Co.: Traditions and she was the founding artistic director of the National Dance Company of Zimbabwe. Learn more.

PARTNER CONTENT

Keep Reading

It would seem we need each other

Emilee Lord

The GREEF of Christina Gelsone at Baryshnikov Arts Center

Tissues are scattered all over the black box theater floor. Upstage a white wire waste paper basket sits upside down and empty. On a huge pile of tissues lies a woman in black with yellow crocs, yellow sleeves sticking out of her coat, a yellow scarf and white and yellow pompom knit hat. She stares up at the ceiling. She has a pair of red crocs on her chest.
Photo: Maria Baranova

When Tradition Takes the Stage, I Stop to Watch

Ziying Cui

Two Chinese dance dramas make me reconsider what I call “my culture.”

Five dancers in Awakening Lion hold ornate lion heads against a dark stage. White, blue, gold, and red heads form an arc above a black lion head held by one of the story’s heroes (a lion dance champion) in a deep side lunge at the front. The performers wear layered, earth-toned tunics with wrapped forearms and lower legs.
Photo: Guangdong Song and Dance Theatre