Getting Press Coverage

Lisa Kraus

To the Dance Community,

Every so often on the listserv there’s a request from a writer gathering information for a season preview. Otherwise, you don’t tend to hear from the press and there seems to be confusion about how to maximize your chances for getting your work covered. Here are some basics:

1)      Develop a good press list. Find out which publications and writers cover dance (and possibly some that don’t – yet) and to whom press releases should be sent.

2)      Write press releases that describe the work you are doing in a detailed, specific way. A press release guideline is at http://www.webwire.com/FormatGuidelines.asp. Use quotes from earlier pieces written about your work and cite examples of important accomplishments while being mindful that ‘hype’ is not helpful. Press releases are not limited to performance announcements, but can function to keep the press informed of news related to your work. A press release might ‘pitch’ a particular story about your work that you think will interest readers. Some publications quote directly from releases, so the better they are written, the more chance they bring you for exposure.

3)      For scheduled events like performances, send the press release six weeks beforehand. In the case of magazines and ‘long lead’ publications like Philadelphia Magazine, especially if you are looking for ‘previews,’ send three to four months ahead. Unlike audience members who may decide up to the last minute to attend an event, planning for coverage by publications is generally done well in advance.

4)      List your upcoming events as soon as you know the dates on the Philadelphia Dance Calendar and Dance/UP’s Planning Calendar. Writers refer to these for planning.

5)      Cultivate good relationships. Just as in any business relationship, be courteous. If someone is helpful to you, thank them. And be wary of spamming, including press in fundraising appeals, etc.

6)      Recognize that all publications have limitations in resources and are working to apportion their writers’ and editors’ time in a way that’s consistent with their mission.

Philadelphia is now so attractive to dance artists that we have a multitude of companies and are rich with dance activity. Hopefully these guidelines may be helpful in getting more of the word out.

All the best,

Lisa Kraus

Editor, thINKingDANCE.net

[Note: Since I wrote this in January of 2012, thINKingDANCE has shifted its method of assigning pieces so that authors decide for themselves what they will cover. That makes writing a convincing, detailed press release all the more important! Our assigning takes place at or before the beginning of each month for the coming four weeks.]

Share this article

Lisa Kraus

Lisa Kraus’s career has included performing with the Trisha Brown Dance Company, choreographing and performing for her own company and as an independent, teaching at universities and arts centers, presenting the work of other artists as Coordinator of the Bryn Mawr College Performing Arts Series, and writing reviews, features and essays on dance for internet and print publication. She co-founded thINKingDANCE and was its director and editor-in-chief from 2011-2014.

PARTNER CONTENT

Keep Reading

‘Don’t Stop Me Now’: A Philadelphia Dance Extravaganza

Zoe Farnsworth

A community dance extravaganza full of queerness, flirtiness and wild Queen Interpretations.

A giant discoball hangs at the back of the theater, Philadelphia’s “biggest”. The stage is awash in red with a spotlight at the lip of the stage. The theater is empty; there is a sense of anticipation as the discoball takes over the frame of the photo.
Photo: Paige Phillips

Resistance and Art-Making: ‘Dancing Collective Power’

Zoe Farnsworth

Integrating improvisational dance skills into direct action protest

Three performers stand in a triangle in Studio 34. The camera blurs the background and focuses on their upper torsos and faces. The two dancers in backwear jeans and t-shirts; one laughs and the other holds a serious expression, bracing for impact. Together, they support the front dancer’s hips and shoulders. This third performer looks expectantly forward for the shove of another performer not in the photo.
Photo: Rachel Warriner