P.S. #32: Why See Live Art?

In our age of social media and 24/7 access to content, what makes you go out? What motivates you to see live art?

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  • Write Back Atchas

The Stories We Steal and the Stories We Make

Zoe Farnsworth

A rich performance of Kea Tawana’s life and how constructing reality can be both advantageous and destructive.

Awash in a red light, three femme presenting performers dressed in black hold a boat constructed out of tape and twigs. They are putting two halves of it together: one looks like several apartment buildings all together and the bottom is a clearer boat shape. An oversized coat hangs in the background, along with many different puppets from previous moments scattered along the back of the stage.
Photo: REC Philly
  • Reviews

Afrofusion, Bempa’s Way

Zoe Farnsworth

“Untitled” explodes with queer black joy as Bempa gives the audience his own version of a good time.

A black and white bust shot of Bempa looking forwards with a serene and powerful expression. He is black and wears his hair short cut in a fade. His chest juts out forwards proudly in his collared cross hatched shirt.
Photo: Vessel Day