Photo: Kathryn Raines
Photo: Kathryn Raines

It’s a Moose!

Megan Bridge

South Philly. Saturday night, first weekend of the FringeArts festival. First, I hop off my bike, lock it up, locate that handy fringe sandwich board, and confirm my ticket at the door. Next, I slip on to a comfy couch, pick up my programand learn that “This building has been a 7UP bottling plant, Rocky’s boxing gym and a Vietnamese cultural center. Now it is home to the Torrent Collective, self-described as ‘a group of multidisciplinary/action-minded/creative professionals that possesses an inner drive to make a change for the better in the world.’ The building is slated for demolition immediately following our show’s closing night. Enjoy!”

Wow. No surprise for Philly during the Fringe. Artists are often finding out-of -the way places to perform…one of my favorite parts of the festival is happening upon a venue I didn’t know about. I wish this wasn’t the first time I had encountered Torrent Collective. I wonder if, and where they’ll relocate. Tonight Torrent Collective hosts The Groundswell Players’ Go Long Big Softie.

The lights change, everyone quiets. Derek, played by Scott Sheppard, first pounds on, then enters through the glass store-front door. He’s looking for the “mytho-poetic men’s workshop.” He sees no one, so he sounds a gong, plays a drum, and starts creeping around the place. It looks like an artist’s studio, with a shrine in the corner that’s decorated with a plastic skull, bronze giraffe, and many fake plants. The shrine even belches fog periodically.  Enter the atelier’s sole inhabitant, played by Mason Rosenthal, a majestic little curmudgeon who reminds me of a combination between Miracle Max and Vizzini in the Princess Bride. 

Derek, the geeky bumbler with a hipster moustache, high-waisted pleated pants, and short curly hair, seeks out the guidance of the old guru. At first he’s turned away, told “I don’t do that anymore” by the balding trickster, whose acrobatic entrance (climbing down a silk suspended from the balcony, then cartwheeling and handspringing across the space to attack his intruder) already gave him away. After pushing the right buttons and passing some tests, including a hilarious circumcision-by-paint for which he is pants-less, Derek gains an apprenticeship. Quickly: what follows is that Derek is looking for his power animal. There are various dances which are usually comical, but often athletic, embodied, earnest, and endearing, and sometimes all at once! There is a lot of full-on nudity, and a hilariously uncomfortable scene where the master cleans the initiate’s pubic regions and genitals…very thoroughly. Derek finds his power animal. It’s a moose. 

Go Long Big Softie, The Groundswell Players, Sept 7th, 2pm & 7:30pm, Sept 13th & 14th, 8pm, Sept 15th, 2pm & 7:30pm, Sept 20th & 21st, 8pm, Torrent Collective, Philadelphia Fringe Festival. www.fringearts.com

Share this article

Megan Bridge

Megan Bridge is an internationally touring performer, choreographer, educator, and dance researcher based in Philadelphia. She is the co-director of Fidget, an organization for experimental performance. She previously served as Executive Director for thINKingDANCE as well as a writer and editor.

PARTNER CONTENT

Keep Reading

Mujeres in Motion

Caedra Scott-Flaherty

Ballet Hispánico’s 56th season is an exciting women-led tour of the Latine diaspora.

Three dancers, two men and one woman, stand on a stage covered in bright autumn leaves. The background is black. They stand in a wide stance, holding thick black rolls over their heads. The man on the left, in gray pants and a t-shirt, looks up at the roll. The brunette woman wearing green pants and a brown tunic stares directly out. The man on the right, dressed in a red suit and white dress shirt, also looks straight forward.
Photo: Steven Pisano - Courtesy of Ballet Hispánico New York

Douglas Dunn’s Post-modern Pastoral

Brendan McCall

An intrepid choreographer examines classical forms through a post-modern lens

Douglas Dunn stands wearing a bright yellow mask which covers his eyes. His right arm is extended to his side while his other rests on a wooden chair painted with yellow flowers. He wears a grey vest, red tie, and dark pants--a contrast to dancers Dongri Suh and Janet Charleston who stand behind him weaering flowered garlands around their heads and wear tulle skirts. A video of two waterfalls is projected onto the wall behind them.
Photo: Jacob Burckhardt